FujiFilm Film Camera AF3 177E User Manual

AF3-177E  
COLOR NEGATIVE FILMS  
FUJICOLOR PRO 800Z PROFESSIONAL  
3.  
FILM SIZES, EMULSION NUMBER, BASE  
MATERIAL AND THICKNESS  
1.  
FEATURES AND USES  
FUJICOLOR PRO 800Z PROFESSIONAL is an ISO 800  
high-speed color negative film that is especially  
suitable for portrait, wedding and fashion photography.  
By incorporating the 4th Color Layer and the Fine  
(Sigma) Technologies, this film produces vibrant colors  
with high fidelity, and smooth textures with little evidence  
of grain. It also boasts wide exposure latitude and  
excellent grays. The further addition of single-channel  
printing results in uniform printing efficiency with other  
films in the FUJICOLOR PRO series.  
Emulsion  
Number  
Size and Package Configuration  
...  
135 36-exp. (5-roll pack)  
...  
Roll  
023  
120 12-exp. [6x6] (5-roll pack)  
...  
220 24-exp. [6x6] (5-roll pack)  
Base Material  
Thickness  
122µm (135)  
98µm (120,220)  
Roll  
Cellulose Triacetate  
Features  
4.  
EXPOSURE GUIDE  
.............  
• High Sensitivity  
High ISO speed rating of 800  
that assures fine results even  
under low-light conditions  
Use a meter to determine the exposure setting. If a  
meter is not available, refer to the following table.  
.........  
• Faithful skin tone  
reproduction  
Natural, true-to-life skin tones  
even in dark, low-light situa-  
tions  
Daytime/Outdoors  
Seashore Bright  
Hazy  
Cloudy Cloudy  
or Snow Sunlight Sunlight Bright  
Day or  
Open  
Shade  
Natural skin tones even  
under overly flat lighting  
Scenes  
under  
Bright  
Sun  
........  
A fourth color-sensitive layer  
enabling the reproduction  
of desired images even  
under a mixed light source  
of natural light, fluorescent  
light and tungsten light  
• Wide Light Source  
Latitude  
Lens  
Opening  
f/22  
1/1000  
f/16  
f/16  
f/11  
f/8  
Shutter  
Speed  
(sec)  
1/500  
.........  
.......  
Excellent, almost grain-free  
textures, regardless of the  
film’s high sensitivity  
• Excellent Textural  
Depiction  
Notes  
• The settings in the table above are for 2 hours after sunrise  
and 2 hours before sunset.  
• Since light conditions vary greatly for cloudy/bright and open  
shade, use of an exposure meter is recommended.  
• Close-up shots with backlighting may require a lens opening  
adjustment of f1 to f2 stops.  
Negative density level unified  
with other PRO series films  
for maximum printing  
• Addition of single-  
channel suitability  
uniformity and efficiency  
Low Light Exposure  
2.  
ISO FILM SPEED  
Indoor  
Sports &  
Night  
Nighttime Evening  
Night  
Scenes  
Light  
Condition  
Indoor  
Scenes  
Light Source  
ISO Film Speed Color Balancing Filter  
Scenes  
(under  
fluorescent  
light)  
Daylight & Electronic  
Flash  
Tungsten Light  
(3200K)  
Games  
800/30°  
None  
200/24°*  
equivalent  
Wratten No. 80A  
(or LBB-12**)  
Lens  
Opening  
Shutter  
Speed  
(sec)  
f/2.8 to 5.6  
1/25  
f/2 to 4  
1/30  
f/4 to 5.6  
1/60  
f/2.8 to 4  
1/30  
*Indicates the effective speed resulting from designated filter use.  
**Fuji Light Balancing filter  
– 1 –  
 
FUJICOLOR PRO 800Z PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN  
8. UNPROCESSED FILM HANDLING/STORAGE  
HANDLING  
9.  
PROCESSING  
This film is designed for processing by Process CN-41  
or its equivalent, as well as Fujifilm Process CN-16.  
• Expose film before the expiration date indicated on  
the film package and process as soon as possible  
after exposure.  
10.  
CONTROL STRIPS  
• When removing film stored at low temperatures (in a  
refrigerator or freezer, etc.), allow it to reach room  
temperature before opening it. Opening film while it  
is still cold may cause condensation to form on the  
film surface, causing color changes or the emulsion  
to become more susceptible to scratches.  
Use FUJICOLOR NEGATIVE FILM CONTROL STRIPS  
to manage processing performance.  
11. PROCESSED FILM HANDLING AND STORAGE  
• Roll film should be loaded and unloaded quickly and  
away from direct sunlight.  
• Film loaded in cameras should be exposed and  
processed promptly.  
Since the purpose of film is to provide a long-term  
record of memorable events, as much effort as possible  
has been made to use materials that exhibit the least  
amount of change over time, but the effects of light,  
heat, atmospheric oxygen, contaminant gases, humidity  
and mold cannot be completely avoided. It is possible,  
however, to minimize change in the photographic  
image or base material by maintaining appropriate  
storage conditions, such as those used by museums  
and art galleries. Temperature and humidity control is  
the most important key to minimizing the change that  
occurs in film. Films stored in the dark under the  
following conditions may be expected to show almost  
no change over time.  
• X-rays inspection machines used to inspect checked-  
in baggage at airports can cause fogging of film. Put  
both exposed and unexposed film into carry-on  
baggage (preferably in a transparent plastic bag or  
a net bag that allows the film to be seen). Because of  
the increasing number of airports using strong X-ray  
machines for carry-on baggage, it is recommended  
that you remove film from your carry-on baggage and  
request a visual (manual) inspection of your film.  
• Film fogging may occur near X-ray equipment used  
in hospitals, factories, laboratories and other places  
where radiation is used. Always keep film away from  
sources of radiation.  
Storage Period with  
Temperature  
Relative Humidity  
Almost No Change  
More than 20 years  
1020 years  
Below 10°C  
Below 25°C  
30%50%  
30%50%  
STORAGE  
Storing exposed or unexposed film under hot and  
humid conditions may adversely affect the speed, color  
balance and physical properties of the film. Although it  
is best to store film at a low temperature, for practical  
purposes, film should be stored as follows:  
(1) Color negative film should be inserted into sleeves  
for storage. Furthermore, it is recommended that  
film, as well as prints, be placed into non-airtight*  
containers made of paper, plastic**, or metal designed  
for the storage of photographs.  
Store at a place (cool and dark)  
Short-term  
* To prevent film base (especially TAC base) decomposition,  
it is essential that the container or case be allowed to air  
out during one dry day each year.  
away from direct sunlight or high  
temperatures and humidity.  
Storage  
Long-term  
Storage  
** Polyester, polystyrene, polyethylene, polypropylene, etc.  
Store at 10°C (50°F) or below  
(2) Processed film should be stored at a place as far  
away as possible from high temperatures, direct  
sunlight and other strong light and direct illumination.  
The following conditions are not desirable for the  
storage of film and should be avoided in the case  
of long-term storage:  
• New building materials, newly manufactured furni-  
ture, paints and bonding agents may produce gases  
which could affect photographic film. Do not store  
film, lightproof boxes containing film or cameras or  
film holders loaded with film near these materials.  
• Film should be sealed in plastic bags* prior to cold  
storage When taken out of cold storage, film should  
be allowed to reach room temperature before open-  
ing by letting it stand over 3 hours (for refrigerated  
• Storage in a closet lying against a wall that is  
exposed to cold, outside air (where condensation  
may form).  
film) or over 6 hours (for frozen film).  
* Polyester, polystyrene, polyethylene, polypropylene, etc.  
• Storage in an attic or on top of a closet or cabinet  
near the ceiling (where high temperatures may  
form).  
– 3 –  
 
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 800Z PROFESSIONAL  
12.  
PACKAGING SPECIFICATIONS  
* Packaging formats may vary in different markets.  
Contents  
Size  
135  
Item  
Film Box  
Plastic Case  
Cartridge  
Same as the current product.  
120  
Film Box  
Backing Paper  
(Before Exposure)  
(After Exposure)  
Seal  
Backing Paper  
Top Seal  
End Seal  
Envelope  
– 4 –  
 
FUJICOLOR PRO 800Z PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN  
Size  
Item  
Film Box  
Contents  
220  
Backing Paper  
(Before Exposure)  
(After Exposure)  
Seal  
Backing Paper  
Top Seal  
End Seal  
Envelope  
– 5 –  
 
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 800Z PROFESSIONAL  
13. PROCESSED FILM EDGE MARKINGS  
AND FIGURES  
* The side on which the edge markings are reversed is the emulsion side.  
• 135 Size (36 Exp.)  
• 120 Size (12 Exp. 6x6)  
• 220 Size (24 Exp. 6x6)  
– 6 –  
 
FUJICOLOR PRO 800Z PROFESSIONAL FUJIFILM PRODUCT INFORMATION BULLETIN  
14. TECHNOLOGIES INCORPORATED IN  
FUJICOLOR PRO 800Z PROFESSIONAL  
14-1 4th Color Layer Technology  
tones, and highly consistent gradation that is smoothly  
continuous from the highlights to the shadows  
whatever the situation.  
This film incorporates a fourth color-sensitive layer in  
addition to the conventional three RGB-sensitive layers  
in order to reproduce colors as they are perceived by  
the human eye. The optimized spectral characteristics  
of this film enable the rendition of natural colors even  
for photographs taken under fluorescent lights or mixed  
light sources.  
14-3 Fine (Sigma) Technology  
Fine (Sigma) Technology provides a new thin, flat  
grain structure that effectively increases the overall  
surface area of the small-volume silver halide crystals,  
producing higher uniformity among silver halide crystal  
clusters and making possible the attainment of high  
film speed without any noticeable increase in grain size.  
The result is a film that produces excellent textures,  
regardless of the film’s high ISO 800 speed rating.  
14-2 New Optimizes Interlayer Effect Technology  
The control provided by the new optimized interlayer  
effect technology incorporated in this film makes  
possible faithful color reproduction, superbly vivid skin  
15.  
FILM STRUCTURE  
.....  
17.  
RESOLVING POWER  
16. DIFFUSE RMS GRANULARITY VALUE  
5*  
Micro-Densitometer Measurement Aperture  
: 48 µm in diameter  
Sample Density: +1.0 above minimum density  
Test-Object Contrast: 1.6:1 ............. 50 lines/mm  
Test-Object Contrast: 1000:1 ..........115 lines/mm  
* Based on Fujifilm measurements. Due to difference in measure-  
ment conditions, comparison with color reversal film is not pos-  
sible.  
– 7 –  
 
FUJIFILM PRODUCT INFORMATION BULLETIN FUJICOLOR PRO 800Z PROFESSIONAL  
18.  
CHARACTERISTIC CURVES  
19.  
SPECTRAL SENSITIVITY CURVES  
* Sensitivity equals the reciprocal of the exposure (J/cm2)  
required to produce a specified density.  
20.  
MTF CURVE  
21.  
SPECTRAL DYE DENSITY CURVES  
NOTICE The data herein published were derived from materials taken from  
general production runs. However, changes in specifications may occur without  
notice.  
– 8 –  
FUJI PHOTO FILM CO., LTD.  
26-30, Nishiazabu 2-chome, Minato-ku, Tokyo 106-8620, Japan  
(
(
)•  
)
Ref. No. AF3-177E EIGI-05.1-FG HB 4-1 Printed in Japan  
 

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